Social media star Lil Tay ignites feud with JoJo Siwa over an alleged tweet, calls her a ‘scary ass bitch’

Social media star Lil Tay ignites feud with JoJo Siwa over an alleged tweet, calls her a ‘scary ass bitch’

The blondes are beefing.

Social media star Lil Tay ripped into JoJo Siwa after she allegedly “liked” a tweet that called her “pathetic” and a “meme” and claimed she had no career.

“.@itsjojosiwa You’re a scary ass bitch if you have something too (sic) say about me, say it & this time DON’T delete your comment or unlike shady tweets!” the 16-year-old, born Tay Tian, wrote on X Tuesday.

“Don’t let those paid YouTube views and botted Spotify streams get to your head Madonna from dollar tree ass bitch.”

Teenage social media star Lil Tay dragged JoJo Siwa after she allegedly “liked” a tweet that called her “pathetic” and claimed she had no career. Instagram/@liltay Tay called the “Dance Moms” alumna a “dollar tree ass bitch” on Tuesday. X Fans screenshot the tweet Siwa allegedly “liked” on X. X

Several fan accounts claimed Siwa, 20, “liked” a tweet that read, “There’s really no comparison between Jojo and #LilTay anyway. #JojoSiwa has a career. Lil Tay is just a meme, and a pathetic one at that.”

While the screenshots suggested that the former Nickelodeon actress “liked” the diss, it is not currently in her X account’s “like” history.

Siwa has not publicly responded to the drama and Page Six did not immediately receive a response from her rep.

Tay previously claimed the “Dance Moms” alum didn’t write her own music. Instagram/@liltay The “Sucker 4 Green” musician also asked fans to never compare their careers. liltay/Instagram

Lil Tay previously shaded the “Dance Moms” alum — born Joelle Joanie Siwa — after people compared their careers while sharing a clip from her “SUCKER 4 GREEN” music video.

“Wish I didn’t just find out who that is, I wrote ‘SUCKER 4 GREEN’ myself. Didn’t buy the song or hire a ghostwriter,” she tweeted last Friday. “Please don’t mention me & her in the same sentence.”

The rapper’s disses came as Siwa received sharp criticism over her ongoing rebrand she has compared to Miley Cyrus and Britney Spears’ child-star-to-sexy-adult transformations.

Siwa has not publicly responded to the teen’s shade. itsjojosiwa/Instagram She has been under fire for her attempt at making a transition into adulthood after being a child star. Instagram/@itsjojosiwa The singer and actress was ripped apart online after she claimed she was inventing “gay pop.” APEX / MEGA

She also upset fans by claiming during an interview with Billboard that she was trying to “start a new genre of music” called gay pop, even though it has existed for years and has been championed by artists like Charli XCX, Tegan and Sara and more.

Siwa further ruffled fans’ feathers when she claimed “Karma,” her new single that is leading her transition into adulthood, was a “whole different song” with a different bridge when she first began working on it — despite it sounding almost identical to the first version.


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Fans also accused Siwa of stealing the song from Cyrus, however, the track was originally recorded by Brit Smith in 2012.

Smith, who teased but never released the song and then left the music industry, told Page Six last week that she was shocked but happy the song was being noticed.

Fans have also trolled Siwa’s new single, “Karma,” after she claimed she made drastic changes to the original song. Instagram/@jojosiwa However, “Karma” sounds quite similar to Brit Smith’s version of the song, which she teased in 2012 but never released. jojosiwa/Instagram Smith has since released “Karma’s A Bitch,” which is currently outperforming Siwa’s song. jojosiwa/Instagram

“But yeah, with Rock Mafia back in the day it was supposed to be my first single and sort of things changed and I went with ‘Provocative’ instead and shouldn’t have done that really,” she recalled. “We should’ve gone with ‘Karma.'”

Smith has since used the excitement surrounding the song to her advantage and released her version, called “Karma’s A Bitch.”

It is currently outperforming Siwa’s version on the US iTunes pop charts.