We knew it was coming, and we hadn’t quite gotten the script right. We didn’t have a director yet. And on the other end was the, there was supposed to be an actor’s strike, the SAG strike. So we were like, 'If we don’t go now, it’s gonna be never-never land.' So we basically started shooting without a script, which is never a good idea. But the script was turned in, and I remember the writer who turned the script in and then picked up his check, and then picked up his placard, and stood outside the studio striking. Anyway, so we were kind of screwed, and we had to all kind of muddle in and try and make the story work, and it wasn’t really working that great. But you know, I look back at the movie, and you know, it’s still a good movie.
